Television Truths

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  • Hartley, J. (2007) Television Truths: Forms of Knowledge in Popular Culture. London: Wiley-Blackwell.

Contents

7. Reality and the Plebisite

"People like to vote." (126)
  • Voting is pleasurable
  • Incorporated into entertainment via interactive technologies
    • e.g. American Idol txting

Plebiscitary format

  • Negotiating traditional "mass communication" with "new demand for personal choice and direct participation"(127)
    • "live experiment"
    • "transitional form"
    • "an experience of democracy"
    • "catalyst for mutual modification of politics ... and entertainment" (128)

Why political scientists are slow to see this phenom:

  • Focus on democracy within government
  • Little attention to media beyond "news media"
    • But news media a declining component of overall media mix
    • And "escapist" entertainment may get people "fired up" for political action (129)

Con-fusion of politics, entertainment

No type of popular political participation is not also

  • mediated
  • spectacular
  • irrational
  • emotion-laden (129)

Semiotic leadership is required to "capture the popular imagination" (129)

  • When the notion of the "informed citizen" took hold in 1880, political participation dropped (Schudson 1998) (130)
  • Obama, brown

Entertainment and spectacle are requirements of representative democracy (130)

  • No direct democracies on the scale of major world powers today
    • Some elements remain in California state politics
  • Likewise, the press is an essential "intermediary" between the populace and the representatives (131)

Politics as commercial activity

Three daily questions: (131)

  • Will they vote (for me)?
  • Will they buy (this product or message)?
  • Will they riot (against what)?

Cottage industry

  • Pollsters
  • Consultants
  • Surveys
  • Media monitors

Consumer or Citizen?

"Modernist politics" "never comfortable" with the consumer

  • Citizen seen as a "cause" of political process (132)
    • "action"
  • Consumer seen as "effect" of commercial process
    • "behavior"
    • barely seen as part of the political process at all

"Reducing culture to number"

Marketing, ratings agencies

  • Convert "consumer preferences" to "measurable scales" (133)
  • Establishing benchmarks for competition
    • ("Consumer choice is essentially arbitrary" == ???)
    • ("Use-value" in a Marxist sense? Because this doesn't account for Fiskean uses)

Ratings as the "bottom line" of television

  • Various weaknesses in methods
    • New radio methods rupture market in Chicago
    • PeopleMeter fairs to account for internet, gaming
    • Some effort to adapt to internet via click-tracking, p2p metrics
  • Sample sizes tend to be very small
  • Scientific language and method are borrowed to make them persuasive (134)

These tools, methods are needed for making broad claims about

  • Truth, sovereignty, meaning
  • In a culture that no longer trusts such assessments to experts (136)

Reality TV as a "closed expert system"

America's Next Top Model is not plebiscitary

  • Neither viewer nor industry determines the winner (138)

Plebiscitary TV talent shows

Eurovision Song Contest

  • Incorporates voting and viewer choice as part of the show
  • They influence the outcome, events, plot (138)
  • Over time, it has adopted newer communications technologies to this process

Idol innovations

  • Previous talent shows were "hybrid" examples that combined home-voters with expert panelists
  • In Idol, the panel merely "guides" home voters who make the ultimate decision
  • Vote as a deux ex machina (142)

Idol election cycle (141)

  • Follows the "rhythm" of political election
    • Primaries
    • Finale, greater participation
  • Third-party plebiscitary industry manages the vote, ensures "fairness" (141)
  • Anxiety over technical process
    • Clogged phone lines
    • Record-keeping discrepancies
    • Text-messaging v. call hierarchies

Plebiscitary TV in less democratic nations

  • 400 million viewers of a Chinese Super Voice Girl program
  • "Felt democractic" to see everyday people getting "15 minutes of fame" (143)
  • Propaganda officials criticized the show for being "too worldly", vulgar, "lacking social responsibility" (145)
  • How might SVG reveal a "democratic consciousness" or offer a site for practicing democracy? (146)

"Pure" plebiscitary reality TV: Big Brother

  • Viewers vote for contestants
  • No talent component

Responding to claims of "political disengagement"

If the demos remain the core of democracy,

  • Then it is the political/governmental apparatus that has disengaged from the demos (148)
  • Citizens under 30 show decreasing faith in the efficacy of the legal/formal aspects of govt (148)
  • Reality TV voting supports this version as people are engaged with voting but not politics

Disengagement as a political act

  • Popularity of reality TV suggests that people participate
    • IF they see themselves reflected in the process (149)

Voting for pleasure

  • Not "work" or "duty" in the political science vision
  • Countless voting opportunities provided by culture industries
    • This activity is an uneven mix of democracy, pleasure

Passionate consumer

  • Replacing the "passive" (158)
  • "Opinion leaders"
  • Sizable, motivated
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